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    WHAT IS YOUR PROJECT ABOUT?

    Author: BOT VFX

    Momentum 2025: Aligning Leadership for BOT VFX’s Next Chapter

    Posted on by BOT VFX

    BOT VFX is entering a new phase of growth—scaling across projects, teams, and ambitions. With this expansion comes the need for sharper alignment, stronger decision-making, and a culture that can evolve alongside the business. To support this transition, we convened Momentum 2025, a leadership offsite designed to reflect on the journey so far, recalibrate priorities, and prepare for what lies ahead.

    At its core, Momentum 2025 focused on strengthening leadership capability, shaping the company vision, reinforcing culture, and creating clarity around the organisation’s next chapter. The offsite created space for leaders to step back from execution, examine how decisions are made, and align on how BOT VFX continues to grow—intentionally and sustainably.

    Understanding Change: The Human and the System

    The opening session was led by Smitha Choudhary, Professor and Head of Department at FLAME University. Her full-day workshop on organizational behavior and change management blended theory, real-world case studies, and hands-on application—tailored specifically to BOT VFX’s evolving business landscape.

    Through discussions, role plays, and industry examples, leaders explored not just the mechanics of change, but the human experience behind it. The session reinforced a critical insight: meaningful change does not come from process alone. It happens when intent, culture, and leadership mindset are aligned—when decisions are precise, and leadership remains empathetic to the people driving execution.

    Leadership from Within

    Alongside the external workshop, BOT VFX leaders led focused discussions across critical areas of the business, grounding strategy in real operational contexts.

    • Discipline of Getting Things Done led by Hitesh Shah
    • Why Vision Matters by Sreyans Bardia
    • Culture Code by Deepak Bohra
    • Finance Acumen Led by Vipul Mehta
    • Six Sigma and Process Excellence sessions led by Sheeba Joy and Anoop AK

    Aligning for What’s Ahead

    The offsite also included collaborative sessions with Executive Producers, who shared approaches to problem-solving and process deconstruction across teams. These conversations helped bridge strategic intent with on-ground execution, fostering stronger cross-functional alignment.

    Momentum 2025 concluded with leadership alignment on BOT 2026 OKRs, ensuring that future goals, execution priorities, and the organisation’s evolving identity move forward together.

    Moving Forward with Clarity and Intent

    Momentum 2025 was about clarity, shared language, and leadership readiness. As BOT VFX looks toward its next phase of growth and the launch of its new identity, the retreat reinforced a core belief: strong execution starts with aligned leaders, a clear vision, and a culture that scales with intent—built on collaboration and powered by value.

    bot-momentum

    Directing GenAI Tools for Real-World Productions

    Posted on by BOT VFX

     

    A View Conference 2025 Case Study from BOT VFX

    AI at the Director’s Table

    What if creativity had a new co-pilot? Imagine directing not just a cast and crew, but an orchestra of algorithms—responsive, adaptable, and capable of amplifying your vision frame by frame. That’s no longer a sci-fi fantasy: it’s the new frontier explored at View Conference 2025, where Srikanth S, Senior Technical Supervisor at BOT VFX, unveiled what happens when GenAI steps onto a real-world production pipeline.

    The Project: Trace of One—Fashion Meets AI

    At the heart of Srikanth’s talk was Trace of One, an experimental short film for fashion designer Mai Gidah. Here, every pixel sprang from generative AI, but every choice—from character pose to camera movement—remained in the hands of human creatives. The team set a high bar: could these new tools deliver outcomes strong enough to satisfy supervisors, clients, and brand storytellers in serious production?

    Srikanth botvfx

    Building the Workflow: Ideas to Final Frames

    Production started with big ideas, swiftly supported by GPT-powered assistants. These language models generated drafts and mapped out story structure, working like junior creative collaborators that never overstepped the human impulse for direction and editing.

    conceptual workflow

    For visuals, things got hands-on. The team conducted a real photoshoot to build a data set of fashion models and outfits, trained LoRA models to secure talent and wardrobe consistency, and validated these assets just like you would for key VFX elements—testing lighting, angles, and composition before rolling into full shots and scenes.

    Motion and pacing followed the traditions of film. The artists generated image-to-video takes for each shot, then stitched and refined them using editorial processes that made the final 4K master feel crafted, not random

    Insights from the Session: Structure, Control, Adaptability

    Attendees at View Conference saw firsthand that GenAI isn’t a magical shortcut. LLMs and generative image models are most powerful when directed with clear intent, acting more like creative partners than generic prompt machines. The excitement wasn’t in flashy outputs, but in blending real product, character design, and branded storytelling with the discipline of a production crew.

    VFX lessons

    Throughout the talk, questions circled around control and adaptability—how does a director keep narrative and style consistent when new AI tools and features arrive mid-project? Srikanth’s answer was practical: flexibility, big-picture thinking, and ongoing iteration are the real sources of competitive edge.

    Lessons for Every Audience

    The Trace of One journey drove home several essential points. GenAI needs a director, not just a button-pusher. Off-the-shelf models won’t recognize your brand story unless you invest in training and refinement. Prompts work best as detailed stage directions, guiding action, mood, and style. AI workflows demand iterative thinking, not just modular tweaks, and adaptability must become a core strength as technology evolves.

    AI BOTVFX

    Most of all, the team found that while tools might change, intent and judgment remain central. AI can expand horizons, accelerate work, and introduce new types of creativity, but only when the people behind the screen steer the process with vision and care.

    For anyone in VFX, film, fashion, or brand work, the future lies in partnerships—between humans and machines, between vision and execution. At BOT VFX, Trace of One stands as proof that with the right direction, GenAI can help create compelling stories, remarkable visuals, and original work that reflects not just possibility, but purpose.

    BOT team brings in the cold with “The Last Frontier”!

    Posted on by BOT VFX

    The Last Frontier TV Series Follows Frank Remnick, a U.S. Marshal in charge of the quiet and weathered barrens of Alaska, as he needs to deal with a prison transport plane crash full of violent inmates inside his jurisdiction. Across more than 350 shots, the BOTs dug into everything from tricky paint-outs and monitor/phone comps to a steady stream of snow continuity fixes and subtle touch-ups. Whether it was scrubbing out the modern world or keeping the frost looking fresh, BOT brought a steady hand and a sharp eye to every frame.

    The last FronterTry as they might, the studio could not control the weather during shooting so BOT came in with digital flurries and snow FX to help the continuity. Sunny days with dry roads needed replacements with overcast sky, dulled car reflections, and snow flocked environments. As well as a sequence of dynamic drone shots of a running dog sled team where BOT miraculously swapped out the plowed road for fresh powder creating dog footprints and sled trails behind them.

    The show is set in a remote location of Alaska. During production, with a lot of people and vehicles going to and fro, it was often necessary to paint out the footprints and tracks left behind to restore the set to pristine condition. BOTs talented paint artists went to work, peeling back the layers of crunched show and slush, restoring the feeling of wilderness and loneliness. BOT was also called on to make sceneries more wild, removing signs of nearby villages and ski resorts.

    “Working with Edwin Rivera, the show’s VFX Supervisor, was a real pleasure”, recounts show EP Natasha Anne Francis. “He is super organized, quick to make decisions and great at being focused through the process. He’s a master class at work on supervision!” BOT’s own production team included the seasoned Supervisor Sean Pollack who led the team on weekly calls, found an easy groove with Edwin from the start and was able to bring the work to final, expertly and on time.

    David Robinson, the show’s VFX Producer had this to say at the end of the season: “We’ve said it all along, and we’ll say it again I’m sure – it has been such a pleasure working with all of you. The fantastic (and fast) work you have done for Foxtrot has been so valued not only by our VFX team, but by the filmmakers and everyone at Apple. The success of the VFX on this show is in no small part thanks to you and the rest of your talented team. Many, many thanks from all of us!!!”. We know we will be watching all the episodes and can’t wait to see what happens on The Last Frontier.

    Bad Boys, Big Win: BOT VFX Crew Ride High at VAM Awards 2025

    Posted on by BOT VFX

    BOT VFX, collaborating with the talented client team led by VFX Supervisor Kris Sundberg and VFX Producer Lynzi Grant, has clinched this year’s Best VFX Feature – International award at the VAM Awards 2025 for its work on Bad Boys: Ride or Die (2024). It’s yet another high-five moment for all the BOTs – a recognition that reaffirms the hearts we’ve won and the screens we’ve lit up over the years by doing what we love most: delivering high-quality, meaningful VFX.

    “This win is yet another reminder of our ability to further our clients’ creative goals through great collaboration and excellent execution,” commented Hitesh Shah, BOT’s CEO.

    High Stakes, High Standards

    The film, starring Will Smith and Martin Lawrence, is a 2024 action-comedy rollercoaster with a massive VFX appetite. BOT VFX was entrusted with delivering a wide spectrum of shots — each packed with technical complexity and creative nuance. Our work ranged from rig and safety pad removals, skid and crash pad clean-ups, set extensions, to color correction, retimes, and day-for-night transitions.

    Our team also transformed on-location footage, swapping Georgia backdrops with vibrant Miami scenes using blue screen integration, sky replacements, and monitor inserts. These enhancements weren’t just about polish — they were about storytelling, mood-setting, and believability. From high-speed chases to a crashing helicopter’s cockpit, every shot got the BOT touch.

    Creative Collaboration and Leadership

    This win is also a reflection of the seamless collaboration with the VFX leadership at the studio side. BOT VFX is grateful to have partnered with our clients, whose trust, direction, and creative clarity helped steer the visual ambition of the project.

    With over 100 artists contributing across all departments, this project was yet another example of BOT’s ability to scale with speed while maintaining quality and finesse.

    More Than Just a Win

    This recognition is more than an award — it’s a reminder of the trust placed in us by our clients, the craftsmanship of our artists, and the culture of excellence that binds every BOT together.

    Here’s to many more frames, bold collaborations, and storytelling that goes beyond the screen.

    Let’s ride.

    VAM-AWARDS 2024 BOT VFX

    Welcoming Sriram to BOT VFX’s Creative Leadership Team

    Posted on by BOT VFX

    As BOT VFX continues to deepen its creative leadership, we are excited to announce the newest addition to our leadership team: Sriram, who joins us as the Associate Creative Department Head – Compositing.

    seasoned VFX professional with an 18-year journey rooted in visual storytelling, Sriram hails from Chennai and began his career at Prasad EFX. His path led him through major industry players including Reliance MediaWorks, Rhythm & Hues, Prime Focus, and a nearly decade-long stint at Moving Picture Company (MPC)—where he contributed to large-scale, high-impact projects for global audiences.

    “Sriram joins our team at an exciting time when we are pushing the envelope in offering higher-end creative services to our clients and strategically multi-skilling our team,” shares Deepak Bohra, Co-founder, BOT VFX. “With over two decades of international project experience, he will add value to our client shows and at the same time mentor and guide our growing Creative team.”

    Sriram’s expertise spans the technical and artistic spectrum of compositing. Whether it’s the visually complex CG environments of Aquaman – The Lost Kingdom, which involved an average of 24 deep CG layers, or the precise, uninterrupted stitching of long plates in 1917, Sriram’s approach has always been grounded in thoughtful process-building. He reflects, “What I learned was to set up the right process that will give the desired results over time. The process is as important as the results.”

    His arrival at BOT is timely, as we continue our transformation into a studio known not just for its execution excellence, but for its creative leadership.

    “BOT VFX warmly welcomes Sriram as the new Creative Department Head of our Compositing department,” says Anand Rajagopal, Chief Operating Officer, BOT VFX. “His impressive track record and deep expertise in the VFX industry, including managing complex shows for large clients, promise to bring invaluable insights. He will significantly contribute to this transformational journey for BOT VFX.”

    Known for his calm, composed demeanour and team-first mindset, Sriram has always prioritized giving his artists the time and mental space to thrive. His ideal day is structured yet flexible: “Start at 9 am and let it end as and when possible.” As a Comp Supervisor, he typically organizes the day to provide six hours of uninterrupted Nuke time, complemented by review sessions spaced thoughtfully across the day.

    Shaswati Chowdhury, Head of Training & Development at BOT, adds, “Welcome to BOT VFX, where joining the team means becoming part of a vibrant creative community. Here, innovation is fueled by imagination, and every frame reflects a shared passion for storytelling. We’re thrilled to have you with us, and I can’t wait to see the magic we’ll create together.”

    Sriram believes that while technology like AI may help accelerate processes, human creativity remains unmatched. A cricket enthusiast—both on the field and off—he finds joy in simple things, whether it’s watching a game or solving a comp challenge that pushes the boundaries of what’s possible.

    As he steps into this important leadership role, we’re excited to see the knowledge he’ll share, the innovations he’ll inspire, and the creative magic he’ll help unlock.

    Welcome to BOT, Sriram!

    THE POINTLESS PURSUIT A.K.A. (SIX CARD GOLF)

    Posted on by BOT VFX

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    Stay tuned and check back often! We’ll be rolling out more exciting card games to keep the fun going.

    THE SPADE HEIST A.K.A. (SPADES)

    Posted on by BOT VFX

    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    Stay tuned and check back often! We’ll be rolling out more exciting card games to keep the fun going.

    SPOONFUL OF CHAOS A.K.A. (SPOON)

    Posted on by BOT VFX

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    Stay tuned and check back often! We’ll be rolling out more exciting card games to keep the fun going.

    CARD CLASH A.K.A (WAR)

    Posted on by BOT VFX

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    Stay tuned and check back often! We’ll be rolling out more exciting card games to keep the fun going.

    OLD HANDMAID’S TALE A.K.A. (OLD MAID)

    Posted on by BOT VFX

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    Stay tuned and check back often! We’ll be rolling out more exciting card games to keep the fun going.