Author: BOT VFX

“BOT VFX warmly welcomes Sriram as the new Creative Department Head of our Compositing department,” says Anand Rajagopal, Chief Operating Officer, BOT VFX. “His impressive track record and deep expertise in the VFX industry, including managing complex shows for large clients, promise to bring invaluable insights. He will significantly contribute to this transformational journey for BOT VFX.”

Known for his calm, composed demeanour and team-first mindset, Sriram has always prioritized giving his artists the time and mental space to thrive. His ideal day is structured yet flexible: “Start at 9 am and let it end as and when possible.” As a Comp Supervisor, he typically organizes the day to provide six hours of uninterrupted Nuke time, complemented by review sessions spaced thoughtfully across the day.

Shaswati Chowdhury, Head of Training & Development at BOT, adds, “Welcome to BOT VFX, where joining the team means becoming part of a vibrant creative community. Here, innovation is fueled by imagination, and every frame reflects a shared passion for storytelling. We’re thrilled to have you with us, and I can’t wait to see the magic we’ll create together.”

Sriram believes that while technology like AI may help accelerate processes, human creativity remains unmatched. A cricket enthusiast—both on the field and off—he finds joy in simple things, whether it’s watching a game or solving a comp challenge that pushes the boundaries of what’s possible.

As he steps into this important leadership role, we’re excited to see the knowledge he’ll share, the innovations he’ll inspire, and the creative magic he’ll help unlock.

Welcome to BOT, Sriram!

 

As BOT VFX continues to deepen its creative leadership, we are excited to announce the newest addition to our leadership team: Sriram, who joins us as the Associate Creative Department Head – Compositing.

seasoned VFX professional with an 18-year journey rooted in visual storytelling, Sriram hails from Chennai and began his career at Prasad EFX. His path led him through major industry players including Reliance MediaWorks, Rhythm & Hues, Prime Focus, and a nearly decade-long stint at Moving Picture Company (MPC)—where he contributed to large-scale, high-impact projects for global audiences.

 

“Sriram joins our team at an exciting time when we are pushing the envelope in offering higher-end creative services to our clients and strategically multi-skilling our team,” shares Deepak Bohra, Co-founder, BOT VFX. “With over two decades of international project experience, he will add value to our client shows and at the same time mentor and guide our growing Creative team.”

Sriram’s expertise spans the technical and artistic spectrum of compositing. Whether it’s the visually complex CG environments of Aquaman – The Lost Kingdom, which involved an average of 24 deep CG layers, or the precise, uninterrupted stitching of long plates in 1917, Sriram’s approach has always been grounded in thoughtful process-building. He reflects, “What I learned was to set up the right process that will give the desired results over time. The process is as important as the results.”

His arrival at BOT is timely, as we continue our transformation into a studio known not just for its execution excellence, but for its creative leadership.

“BOT VFX warmly welcomes Sriram as the new Creative Department Head of our Compositing department,” says Anand Rajagopal, Chief Operating Officer, BOT VFX. “His impressive track record and deep expertise in the VFX industry, including managing complex shows for large clients, promise to bring invaluable insights. He will significantly contribute to this transformational journey for BOT VFX.”

Known for his calm, composed demeanour and team-first mindset, Sriram has always prioritized giving his artists the time and mental space to thrive. His ideal day is structured yet flexible: “Start at 9 am and let it end as and when possible.” As a Comp Supervisor, he typically organizes the day to provide six hours of uninterrupted Nuke time, complemented by review sessions spaced thoughtfully across the day.

Shaswati Chowdhury, Head of Training & Development at BOT, adds, “Welcome to BOT VFX, where joining the team means becoming part of a vibrant creative community. Here, innovation is fueled by imagination, and every frame reflects a shared passion for storytelling. We’re thrilled to have you with us, and I can’t wait to see the magic we’ll create together.”

Sriram believes that while technology like AI may help accelerate processes, human creativity remains unmatched. A cricket enthusiast—both on the field and off—he finds joy in simple things, whether it’s watching a game or solving a comp challenge that pushes the boundaries of what’s possible.

As he steps into this important leadership role, we’re excited to see the knowledge he’ll share, the innovations he’ll inspire, and the creative magic he’ll help unlock.

Welcome to BOT, Sriram!

 

If you’ve been in the visual effects industry for a long, chances are you’ve come across Caine Dickinson. With over 25 years of experience and a career that’s taken him across the globe, Caine has been a sought-after Supervisor. His experience includes both live-action and feature animation films. He has worked at many of the industry majors including ILM, DNEG, MPC, Dreamworks, Blue Sky Studios, Reel FX, and Image Engine and covered locations across multiple continents As BOT’s Visual Effects Supervisor, he brings a wealth of knowledge, a diverse skill set, and a unique global perspective that continues to drive our creative ambitions forward.

Caine has worked on renowned franchises like Spider-Man, Harry Potter, Fast & Furious, X-Men, and Ice Age, demonstrating his versatility and command over a wide range of CG and VFX skills. More recently, Caine has taken on the challenge of supervising large-scale projects with crews numbering in the hundreds. His credits also include The Addams Family, Scrooge, Haunted Mansion, and Furiosa, all of which showcase his ability to manage complex projects and large teams to achieve high-end results.

Caine’s journey into the world of visual effects began back in 1996 after earning his degree in Graphic Design from Brunel University in the U.K. His first major project happened to be Star Wars: Episode I. Caine started as a Previs artist in the Art Department at Leavesden Studios in London, where he helped lay the groundwork for one of the most iconic franchises in cinema history. He also contributed to set modeling for Industrial Light & Magic (ILM) and even got to complete the project at the legendary Skywalker Ranch.

In 2001, Caine made his way to MPC London, where he specialized in Previs before transitioning to Lighting. It was here that he became an integral part of the team working on Harry Potter and the Chamber of Secrets, the company’s first large-scale film project. His talents didn’t go unnoticed—Caine went on to supervise the visual effects for the next two Harry Potter films, helping to bring the magical world of Hogwarts to life in ways that still captivate audiences.

Caine’s passion for animated films led him to DreamWorks Animation in 2006, where he had the opportunity to work on some of the studio’s most beloved titles. From the epic adventures of Kung Fu Panda to the swashbuckling charm of Puss in Boots, Caine’s portfolio at DreamWorks includes seven movies that have become staples of modern animation. His ability to seamlessly blend art and technology allowed these characters and stories to resonate with audiences of all ages.

With a career that’s spanned major cities and studios around the world, Caine brings a global perspective that’s essential in today’s interconnected industry. As BOT continues to expand its capabilities, Caine Dickinson adds the creative and leadership heft to BOT’s growth ambitions. Caine’s journey is a testament to the power of passion, creativity, and relentless pursuit of excellence.