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    Motorcycle Diaries: Mahesh’s Kaleidoscopic Bike Trip From Chennai to Manali!

    When you get to a certain point in life, you find comfort in monotony, in the predictability, the routine – you know the drill. All’s well until one day, you’re in office, glued to your computer. And slowly, like drums approaching towards you from a distance, you feel it rising – the thumping in your veins, the electricity in the air, the unquenchable thirst for newer sights and sounds. The call of the open road, the pull of the unknown. You know nothing can hold you in your place anymore. That’s pretty much the story of how I ended up in Manali.

    I had been planning this trip for nearly two months, and spent about 1 week mapping the itinerary. My aim was to cover the distance between Chennai and Manali on my bike, and explore some of the nearby villages in the area too. Finally, with my Pulsar 150 as my sole companion, I set out on a journey that was equal parts daunting, exhilerating and therapeutic. Over the course of the 8 days that followed, I would see all kinds of shifts in weather, terrain, cultures and views. I was more than ready.

    My route went something like this:
    Chennai – Hyderabad – Nagpur – Gwalior – Agra – New Delhi – Chandigarh – Manali – Rohtang La Pass.

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    Not mentioned above are the innumerable obscure hamlets and lazy towns that mark this entire journey. Anyone who’s done an epic road trip from any one part of India to another will know just how magical it is zipping through this constantly shifting geographical and cultural landscape. It’s like living inside one big kaleidoscope. Chennai to Hyderabad to Nagpur was smooth sailing. So far so good, no dramatic developments, no hiccups. I was riding at a good speed and making good time. It was on my exit from Nagpur and into Gwalior that I got a close glimpse into the treacherous terrains spread all over my roadmap. The road was too rough, too rugged and I had to struggle to maintain firm control over my bike and keep my sanity in check at the same time. With no place to stop at and no room to rest, I had no option but to continue riding. On this stretch, I ended up riding for 15 hours straight in a single day! It is during these moments I seriously end up questioning my decisions and why I do what I do. But then again, this is exactly why. Would biking bring a self-respecting biker any joy if it wasn’t such a giant terrifying pain sometimes?

    Not one to be bogged down so early into my journey, I rallied on like a trooper on a mission. Finally, I touched base at Delhi. After sufficient rest, appeasing the hunger Gods and checking up on my bike, I made my way towards Manali via Chandigarh. I was so close to this place I’ve been dreaming of, I was sure if I stuck my tongue out into the air, I could taste the electric anticipation. Anticipation was soon met with further agony when I was crossing the Punjab border and the rain Gods decided to welcome me with brutally torrential downpour. I had to wait for it to pass, and was further greeted by now slushied roads and a frighteningly slippery terrain, which lowered my speed to a crawl. But soon, all of that cleared and I was came up close and personal with the picturesque vistas that Himachal is so known and loved for.

    I rode through the tiny towns of Swarghat, Bilaspur, Sundernagar and finally to Mandi. Mandi is a charming little town dotted with innumerable apple trees. The air is crisp, mingled with a sense of sweetness and adventure. I couldn’t help but stop and admire this quaint beauty that we usually see only in the movies! Keeping me company was the River Beas that snaked its way through Mandi. Beas rises from the southern face of Rohtang Pass at about 13,326 feet above sea level, cuts through Mandi at 1,920 feet, divides itself into three in the Kangra District and once again merges into one at an altitude of 1000 feet. Beas eventually joins the River Sutlej at Harike in Punjab. Its foaming white waters gushing forward to meet its destiny, relentless yet tranquil, reinforced my resolve to make it to my destination without further ado. Manali was just two hours away now, and the magnificent Rohtang La Pass was four hours away. My next stop was Kullu, nestled on the banks of River Beas. Serene temples, majestic hills and tall, solemn Pine and Deodhar trees, and sprawling apple orchards weave together this enchanting valley. Life moves at its own pace here – a jolting reminder to us cityfolk that slowing down is a good thing too. Although lured intensely into staying a little longer, I made my way to Manali.

    Perched blisslfully between the peaks of Pir Panjal and Dhualdhar ranges, like a precious jewel in a crown, is Manali. Although ridiculously popular and crowded throughout the year, Manali still has its own charm. It’s a real challenge to keep your sanity together when the thin mountain air coupled with adrenaline thumping through your veins, leave you heady and restless. And so, I rode further to Rohtang Pass.

    The distance between Manali and Rohtang Pass is 200 kms. But consider traversing these 200 kms as tightrope walking over a valley so deep, you can’t even see the bottom, while in the backdrop a fickle but turbulent weather is set in its ways to show who’s boss. I got on to the legendary Leh-Manali highway which, with its hairpin bends, sharp twists, curtains of fog and whatnot, is pretty much a death-defying roller-coaster ride. Located at a dizzying elevation of more than 13,000 feet. I start from Manali at around 6,400 feet and drive upwards to Marhi, which is at 10,800 feet. The climb is steady and the air is getting thinner by the minute. Finally, I reach Rohtang sitting at 13,060 feet. My intense ride is sprinkled with some rain and light drizzle.

    When I finally reach Rohtang is when I finally stop in the real sense. There was no longer anywhere to rush to. This was it, the proverbial and somewhat literal zenith. I get off my bike, take off my helmet, try to catch my breath and gather my wits. All in preparation for the wondrous work of nature spread out in front of me. You can see the most HD images on the internet, you can get all excited listening to your friends’ exciting tales from their trips, you can watch as many films as you like, but the real deal, witnessing the magic firsthand is an experience that’s just downright spiritual. If I had a camera, I had forgotten its purpose. If my jaw had dropped to the floor and shattered, I didn’t really care. The skies are the brightest blue, the mountains stand tall, proud, unafraid and fully aware of their splendour. Where the earth ends and the sky begins, I could hardly tell. I was too occupied being awestruck by this love affair between the mountain peaks and the clouds. Time stood still. The only thing fluid was the and the wind.

    What I was feeling in that moment is hard to put into words. I had made it this far, from the tail end of the country to where I was, at the edge, the precipice of wonder and awe. I could live here forever, or for as long as the treacherous forces of nature would permit me. But I knew it was time to leave. A good guest never overstays. I felt a dull ache in my heart at not being able to go further along all the way to Leh. But, I knew I wasn’t prepared, physically, mentally and even with my resources. However, that only filled me with more optimism – the sweet, sweet promise of return and the thrill of pushing my own limits. Travelling alone through a journey brimming with all kinds of risks and dangers is scary, but it’s also zen. It’s the perfect route to self-discovery – of being your own hero, your own most trusted friend and your own sanctuary.

    I braved sun, snow, rain and heat. I was stuck in a forest in an unknown land and made it out unscathed. I negotiated language barriers, high altitude passes, broke bridges, bad roads, hostile weather and the complete lack of luxuries. I ate what I got and slept where I could. And I returned, with newer lessons learnt, a grateful heart, renewed spirit and an enriched soul. This was my longest and boldest bike trip. This was my first bike trip, but definitely not the last. As for my appetite for adventure? Let’s just say, I already know where I’m going next!

    BOTs Hits Warp Speed with Star Trek Beyond

    It’s always challenging working on a space epic especially working on the franchise that launched modern fandom! BOT VFX took up the challenge and stepped into the final frontier supporting both Kelvin Optical and Atomic Fiction in creating visual effects for Paramount’s summer blockbuster Star Trek Beyond. Directed by Justin Lin, the film takes the Enterprise crew yet again into uncharted territories, engaging with new aliens, and of course getting mixed up with a new enemy.   In this installment Chris Pine, Zachary Quinto and Karl Urban are joined by Idris Elba as the villainous Krall.

    BOT was initially engaged to pinch hit for a handful of trailer shots right before Thanksgiving 2015.  BOT VFX EP Hetal Jain says, “Being a lifelong fan, when asked to do some quick work for Beyond, we were stoked!” Those few shots grew exponentially, with the team expanding to 55 artists who worked for 2 months on the project. In total, the BOT’s collaboration on the project consisted of 37,181 frames, 346 shots over 12 sequences. Jain continues, “Bot is always seeking larger scale and more complex shows to work on, with Star Trek Beyond we got both.”

    The most complex of the sequences BOTs worked on was the extension of the film’s featured villain Krall’s base on the Blue Planet. The mining quarry shot on location in Vancouver needed to look more remote, more uninhabited and more otherworldly. The tons of roto work by BOT to isolate the characters and set structures, including multitudes of muffins, orbs, petals, cabling and various other set pieces used by Krall’s army to harness the energy from the Blue Planet, helped to limit the CG needed. Instead of having to create a large CG set, only smaller portions of the quarry needed to be replaced, thus helping the on-set vision come to life.

    Star Trek Beyond from Paramount Pictures, Skydance, Bad Robot, Sneaky Shark and Perfect Storm Entertainment


    Star Trek Beyond – Before

    Star Trek Beyond from Paramount Pictures, Skydance, Bad Robot, Sneaky Shark and Perfect Storm Entertainment

    Star Trek Beyond – After

    Additional sequences that BOT was integral in delivering were Krall’s introduction on the Enterprise, and the battle on the Enterprise that ensues. The physical set of the Enterprise, while extensive, had a ton of green screens, camera tracks and railings that needed to be removed. This proved to be especially challenging for BOT’s Paint team since the set was built with lots of reflective surfaces to showcase the new and pristine USS Enterprise design. BOT took care to do this while keeping the plate king.

    For Beyond, Roto-Prep Supervisor Sankara Subramanian preferred using a blend of Silhouette and Nuke for managing lot of motion blur perfectly for tight roto. This workflow, especially for the handheld camera movements in the quarry sequences, created a lot of motion blur in non-linear movement. “For my 2D team, overall, the biggest pressure was in handling the large volume of shots with varied environments and nuanced requirements to deliver so quickly. Frequent turnover calls via cineSync and RV helped us to quickly resolve any queries that we’d stumble upon” says Subramanian.

    BOT also contributed by supplying camera Matchmove using 3DEqualizer and Autodesk’s Maya. “Star Trek Beyond being an anamorphic show, the primary challenge was solving the plate distortion and lens squeeze,” says A. B. Govardhan, BOT Matchmove Supervisor. “In addition to using standard tools in 3DE, my artists are also quite versed in animating the Maya camera manually.   We had several shots were the decision was made to track the camera by hand. This required a thorough understanding of the practical camera move and how it was accomplished on set.”

    The BOT Dev team was integral in our success as they supported us to fully integrate our two pipelines and developed some proprietary tools for Maya as well as 3DEqualizer. A. B. Govardhan says, “It was great being part of the development of tools and working with our partners, modifying our workflow to better integrate with newer pipelines.”

    ..BECAUSE MAGIC HAS NO LANGUAGE!

    A cup of coffee, a few BOTs, an incredible desire to be the change and here you have it.. BOT VFX’s latest and perhaps most incredible idea ever!

    Over the years while BOTs have been actively associated with several social impact initiatives be it Flood relief work, making a difference to the lives to the less fortunate, providing clean drinking water at schools or more recently with the Beach cleaning initiative, there was always an underlying feeling that we needed to look at something more sustainable and permanent, something with which we can create a small revolution of sorts in bringing about a change.

    And so it came, in the form of two of our most talented artists Nithya and Vijay, both of them hearing and speech challenged, yet one of BOTs biggest shining stars for the resilience with which they fought against many odds to today deliver some of the best work for the biggest Hollywood Movies across the world. With over 5 years of experience today both Nithya and Vijay have become the pillars of our Roto and Paint departments, and we thought why not use all their experience and expertise in the VFX field spread this joy of creating magic (VFX) to several others who are challenged like them. So was born what we believe is perhaps one of the most incredible ideas for us – the 1st ever ‘Build-a-BOT Internship Program’ exclusively for the hearing and speech challenged.

    “Time and again we miss acknowledging that all this isn’t possible without the trust and support of our amazing clients and the faith, belief and patience of our Sups, Leads, Artists and Support teamsA big thank you to all those who make such incredible dreams possible!” remarks Sreyans, co-founder of BOT VFX

    Starting up with a batch of over 7 such Individuals with training done by none other than Nithya and Vijay using sign languages, the Internship is already underway into its 4th week, and if one had to go by reviews, the bunch is doing amazingly well and likely to hit production in a few weeks time.

    “When the Idea first came up, I just jumped in joy, because this would perhaps be the most fulfilling role for me ever, I can understand the pain one goes through to get settled in life, however, in its truest sense VFX has been the magic for mine and I just hoped that I could pass on the knowledge to several others who could make a career out here” says Nithya communicating with us by writing on a piece of paper. Vijay her colleague with similar challenges and himself a BOT veteran remarked through a thumbs up “There just cannot be anything better! If we can successfully carry this, this will really make a lot of people who have had challenges in hearing and speech really believe in themselves and their ability to be completely independent”

    Deepak, co-founder of BOT VFX quips “Our collective dream is to have India’s first VFX team fully managed and run by the challenged and we are not very far from there” And, we couldn’t agree more, that truly “Magic has no language”- and this drive by the BOT team is sure to create another young generation of independent and amazingly creative artists for the industry!

    News coverage by the Deccan Chronicle: Disability doesn’t deter their passion for work, Deccan Chronicle, 30th OCT 2016

    sign-lang

    BOTs at THE COASTAL CLEAN UP DRIVE

    The early morning chirping of birds, the light breeze, a small drizzle, a rainbow just appearing out of nowhere creating a wow and an exclamation of Joy! While these are things most of us have experienced as Children, it is hard to guess if the coming generation would ever get to experience the bliss of nature, if the current rate of pollution continues unabated.  It’s a given that our kids and the coming generations would be deprived of enjoying the lap of mother nature as we did.

    Deepak remarks  that as the saying goes “Worrying is like rocking in a rocking chair, it gives you something to do but doesn’t get you anywhere”, the BOTs decided to give all the pessimism a miss and look forward towards doing our part to make a difference and as is very famously coined term by the great Mahatma Gandhi “BE THE CHANGE”.

    On the 20th of June’2016 the BOTs joined hands with the Chennai Trekking Club which organised a massive Cleaning exercise across the length and breadth of the Chennai’s coastal area spreading from the Marina to Uthandi. A sizeable bunch of BOTs gave the early morning blues a big punch of enthusiasm and were up and ready at 6am, to do our bit to conserve Nature.

    Allotted the picturesque Besant Nagar beach by the Organisers, incidentally also BOTs favourite venue to play Volleyball, the clean-up began sharp at 6am. From glass bottles to cans, from plastic packets to cleaning up the food waste from the night before, this was one humungous yet satisfying task. As we went about cleaning the wide open area –  a range of emotions stuck each one of the BOTs;

    Viswanathan, one of our roto lead quotes “This to me in an indirect reflection or mirror in some ways; As I cleaned, I realised how we commit several mistakes which we could easily avoid to better conserve our nature. The whole clean-up exercise was quite an eye opener and I am glad to have been a part of it”

    Whereas Mahesh, Anand, Ganesh, Satish, Balaji and Prashanth who had co-ordinated the efforts from the BOTs side remarked that this activity filled all of us with a sense of pride, that every BOT was upto the task with a smile, a smile of happiness and joy that he or she could be a part of “BEING THE CHANGE” we want to see.

    Just for the stat buffs, this amazing exercise organised by the Chennai Trekking Club (CTC) meant that more than 4500 volunteers from 140 organisations were part of the exercise and 38 tonnes of waste was collected from 20 kms of Beaches and the great part 56% of this was recycled. Thank you Balaji and the other CTC members for making BOTs a part of this Coastal Cleaning Drive!

     

     

     

     

     

    Winning Hearts and Awards, the CHAPPiE Way

     

    Image Engine along with BOT VFX win this years Best VFX in a Motion Picture Award in the International Category for their work on CHAPPiE (2015)  at the FICCI FRAMES BAF Awards 2016. Its a moment to rejoice for BOTs as this recognition is yet another testament to the numerous hearts we have won over the years, doing what we love the most  – delivering great quality of work!

    chirag fcci award 2017
    Chirag Shah, Sr. Production Manager at BOT VFX receiving the award on behalf of BOT VFX & Image Engine. Image Credits: Animation Xpress

    BOT Enables Robot’s Digital Existence in Chappie

    As if to extend the plot line of the film into the real world, BOT (a.k.a. BOT VFX) provided supporting work that enabled the digital existence of Chappie the robot in Neill Blomkamp’s fascinating Sci-Fi flik.  In the film, Chappie, a robot equipped with newly developed AI programming, discovers his self-identity inspired by human traits.  So the irony was never lost on the BOT team that a creative crew of humans drew their inspiration (and their name) from the precision and efficiency of robots.

    BOT provided supporting visual effects services for Image Engine, the venerable visual effects house in Vancouver that has become Neill’s go-to place for VFX for nearly all of his films. BOT also provided supporting work for Neill’s other film, Elysium, released last year.

    “We’ve had a long standing relationship with Image Engine so when Shawn Walsh, their EP, asked us if we can provide care and love on some particularly tough paint work in an aggressive timeline, we told him there was no way we could say no to such a worthy robotic cause” says Hitesh Shah, BOT’s humanoid leader.

    Neill wanted to avoid using motion capture techniques to ensure authenticity to the acting and interaction with real characters, so all of the shots with Chappie were acted out by an actor in grey marker-suit, and then the actor’s motions were hand animated onto a digital Chappie.  Of course this meant that for nearly 70 minutes of the film in which Chappie is in frame, the human stand-in actor had to be clean-plated out so that the digital version could cleanly take his place.

    This is where BOT’s stellar paint team rose to the varied challenges of removing the actor completely from these shots.  To make the stand-in human Chappie completely disappear in these plates so that Image Engine’s team can cleanly place the CG Chappie was a monumental feat.  The more agonizing shots to get to look just right were the ones with close interactions between the human actors that were to stay on the plate and Chappie’s human stand-in.  The delicate art of generating a believable background in areas with large dynamic motion and lighting changes was akin to creating a small constellation of animated matte-paintings for the shot in just such a way that no one even questioned that something else existed there before.

    Artists who slaved over these cleanplate shots have a bitter-sweet feeling watching it in the movie.  They were ecstatic to finally see it on the big screen, but sad that no one except the craftsmen would even know that something else was originally there in the plate shot on camera.  But as any good VFX artist knows, the ultimate complement that an audience can pay to a digital paint artist’s work is to say they didn’t see anything.

    Looking at BOT’s role in supporting the digital existence of robots in Chappie, perhaps the old adage that “truth is stranger than fiction” should be updated to “truth in support of fiction is stranger than fiction”.


    About BAF Awards
    The Best Animated Frames [BAF] Awards was started in 2004 by the Federation of Indian Chambers of Commerce and Industry [FICCI] to recognize and honour students and professionals in the field of Animation. This first ever Animation Awards in India grew over the years to encompass awards not only in Animation, but also in the VFX and Gaming fields. The contest now receives top-notch entries from across the globe. In fact, the last BAF Awards held in March 2015 received 400 entries from across 12 countries. This was the 12th edition of BAF Awards which took place on March 30th, 2016 at Hotel Renaissance, Powai, Mumbai as a part of FICCI FRAMES 2016, a three day global convention covering the entire gamut of Media & Entertainment like Films, Broadcast (TV & Radio), Digital Entertainment, Animation, Gaming, Visual Effects, etc. with nearly 2000 Indian and 800 foreign delegates encompassing the entire universe of media and entertainment who attended the event.
     
     
    Links
    To know more about FICCI: http://ficci.in/about-ficci.asp
    List of Winners and coverage: And the winners of the BAF Awards at FICCI Frames 2016 are…

     

    Chapman’s Excellent Adventures in Chennai

    When a visual effects facility is routinely pushing through work supporting thousands of shots a year for dozens of highly regarded clients, you’d think such a well-heeled organisation wouldn’t be so self-conscious about the inner workings of its production engine. But, that’s exactly what BOT VFX lavishes its focus on, despite its position as a leading provider of supporting services such as roto, paint and matchmove for visual effects facilities.

    A few months back, BOT reached out to industry veteran Alexi Chapman — at the time, an independent consultant —seeking his help in assessing and recommending improvements for BOT’s 2D pipeline. Chapman has been “around the block a few times” when it comes to setting up and managing 2D departments. Over the years, he’s worked at numerous facilities in Vancouver, small and large, doing everything from working shots as a roto artist to leading a 2D department.

    “I had worked with the BOT team for many years and always thought highly of the creative team that delivered solid work project-after-project and client-after-client as I moved to different facilities,” reflects Chapman. “So when they asked if I was able to come out to India to meet with the team and dive into how they did the work, I jumped at the opportunity. And it’d be an opportunity to visit India – something I always looked forward to.” In briefing Chapman before his visit to India, Hitesh Shah, BOT’s chief was quick to reveal what BOT considered to be key to their success – the three P’s: People, Pipeline and Process. “It’s important that you get an ‘inside’ look at who we are as a team, and understand how our pipeline works and how we go about things. Only then can you glean recommendations that will help us raise our game,” coached Shah.

    Not one to shy away from adventure, Chapman landed in Chennai, ready to dive into work, and dive into Indian culture, both with equal vigor. “I was taken aback by the great warmth and excitement with which the team received me,” says Chapman of finally meeting the team members he’d only connected with in Skype sessions, conference calls, emails and chat sessions over the years. “When I walked into BOT’s office, it hit me that despite differences in language, culture and environment, artists are artists everywhere. I noticed that like artists in Vancouver, BOT artists adorned their cubicles with maquette, sketches, paintings and collectibles from their favorite movies. Talking to the team, it became abundantly clear that the stuff they do is more than just a job to them – they’re really into VFX, and they’re stoked by the same things artists I’ve worked with in Vancouver value. Once I understood this, it was easy to understand why BOT consistently delivered solid work.”

    Chapman spent time talking to artists, leads, and supervisors in each of the roto and paint/prep departments through the better part of a week. “We conducted ‘a-day-in-the-life-of’ reviews for Alexi to help him understand both the pipeline and processes and to some extent approaches the individual artists take,” reflects Sreyans Bardia, BOT’s Head of Production. “These reviews proved to be extremely useful because Alexi was able to assemble some great insights that have helped our efficiency, reduced some technical issues, and reduce feedbacks from clients.” Many valuable insights were the result of Chapman’s intimate knowledge of how BOT’s clients actually used the work produced by BOT. For example, when client-side compositors find the need to open a Silhouette source file delivered by BOT in order to make some minor tweaks, it becomes awfully confusing when shapes fly in and out of frame. From years of experience, BOT artists have found this technique (of “disabling” shapes for a few frames by pulling them off-frame) to be highly efficient. However, it is also highly frustrating to client-side artists to quickly understand where they need to make the modifications and move on.

    Chapman concedes that despite enormous variety of clients and projects, each with their own nuances and expectations, BOT is able to deliver to the individual requirements with relatively few feedbacks. Some clients only care about the alpha mattes for roto, others want the SFX Silhouette source files, and still others want the splines converted to The Foundry’s Nuke. Some projects require separated core mattes and blur mattes, others want blur baked into the same matte. For paint work, there are always the nuances of colorspace and grain particular to a show. Add to that, the projects on any given day can be in HD, 2K, 4K, 30fps, 24fps, 25fps, log, linear, varied film gates and so on. “It’s like the kitchen in a restaurant that serves dishes from 10 different kinds of cuisines from as many menus – the BOT kitchen has to be ready to deliver on anything every day,” Chapman says.

    In between all of the deep-dive sessions, dailies reviews, and deep insight gathering at the office, Chapman also managed time to soak in South Indian cuisine, some sightseeing and a bit of exposure to South Indian culture. Chapman said, “I was already a fan of Indian food before this trip, but Sreyans, who’s a foodie himself, expanded my palate to a new level. He and the team were also gracious enough to take me around to see some sights I thoroughly enjoyed.” “Consider it India’s version of Southern Hospitality,” jests Bardia.

    Chennai Floods: Rains may have won the battle, but Humanity wins the War!

    Nature’s fury, despondency, helplessness, gloom, destruction … if these were the words the #ChennaiFloods started with, nearly a week later after the biggest rainfall in nearly 100 years which crippled and brought life to a complete standstill, every Chennaite would today proudly say that, more than the destruction they wrought, these floods shall always be remembered as the triumph of the indomitable spirit of humanity in face of the most severe adversity.

    Be it risking one’s own life to save many more, sharing our own homes with the homeless or distributing food and essentials in waist-deep water, be it connecting relatives with their missing ones or donating with our hearts wide open, going sleepless for days together so that every single soul out there could be saved, the tales of extraordinary human spirit are endless. While tragedy struck, it brought with it together a response of brotherhood, compassion and love unparalleled in recent memory to any of the younger generation. The city saw in its people in its adversity the biggest example of unity in diversity where the only religion was humanity.

    From all of us at BOT, this is just to say we salute the Spirit of this Amazing City and we would sure soon be Alive and Kicking in doing what we do best – creating magic of the highest quality and continuing to make our city and country proud, because the efforts of several unsung heroes of the past few days deserves this and more, truly rains have won the battle but Humanity has won the war!

    To all the BOTs: Thank you for showing exceptional courage and resilience in helping out each other. Each one of your accounts shall be credited with an additional amount of ₹ 10,000/- to support your needs in helping recover from the floods. For those who have been unaffected, kindly use this additional amount to help the others or contribute to the BOT Relief Fund. Let us all BOTs be the Champions in doing our bit in bringing a smile back to every Chennaite’s face.

    To the World – Vanakkam (Hello in Tamil) – Chennai & The BOTs are Back to Work!


    We have set up a Base Camp to support the relief measures and medical camps from our Guindy Office. You can get in touch with our BOT Projects Team by calling on the numbers listed below or by  filling the form below if you are in need of help, or are ready to offer help.

    #ChennaiRainHelp

    Simple Ideas; Powerful Results: Learning at BOT VFX

     

    “Sometimes in Life, we are never sure if an idea will work, however if we have an underlying current of conviction, which just keeps saying that take the plunge, a conviction which just makes you feel restless till you make the announcement to your colleagues and the world that this is it, and together we will have to make it work; then you know you have an Idea which is a winner”

    These were perhaps the exact emotions which the Talent Management Team at BOT VFX went through before launching what was a simple idea of doubling up and using our evening snack time for some fun learning. So was born “The BOT 20min Learning Workshops” that turned out to be quite a little bit of “learning revolution” (albeit for a short one month, yet we’d take pride in calling it one).

    What followed was exceptional to say the least. The BOTs (as we lovingly call ourselves) went through a month of Non-Stop Learning in the 20min workshops – a new topic of learning day after day, every day, all through the month of October till early November. We had many topics ranging from Carnatic Music to Google Cars, from learning about the Prod Pipelines to Human Anatomy, from Insurance Basics to Computer Assembling, from workshops on Sign Languages to Portrait Painting. Adding to it, we had Camera and Photography workshops and lessons on Time Management. Not to forget the fun session on cutting Comic Clips and the important session about Email Etiquettes. The list and its diversity were endless and we cannot forget the enthusiastic audience at BOT who ensured that sessions were houseful and seats were getting filled the minute registrations opened.

    While some may argue saying that topics were not necessarily VFX-related (except for a few), what stood out was the collective urge of BOTs to learn and share each one’s knowledge and the desire to beat one’s own inhibitions and conquering the fear of addressing audiences.

    In all of this, clearly with some extraordinary unstinted co-operation of all the BOTs, we had one more WINNER up our sleeve – “The Bot 20 min workshop”- a simple idea with powerful results. Thank you, BOTs, for supporting and making it happen.

    Pictures and Posters from the sessions can be found here: BOT EDITORIAL – LEARNING AT BOTVFX ALBUM 

     

    The BOT Workshop @ Visual Arts Fest by MOP Vaishnav College

    “As Knowledge Increases, Wonder Deepens”, perhaps precisely what the BOT Trio of Sreyans, Sankara and Srikant, on invitation from the MOP Vaishnav College for Women, set out to achieve as they spread the word on the magical world of VFX at the Annual Visual Arts Fest hosted by MOP Vaishnav College. An informal session on the Scope of VFX in Films which started with some jaw-dropping videos and progressing to the nuts and bolts of how visual effects is done coupled with some serious talking and guidance on Careers in the VFX Industry that concluded with an interesting (and we might say popularly extended) Q&A Session. While the organizers and students were very inspired with the session, the BOT team was even more inspired – thanks to the guided tour of the display gallery hosting some amazing and creative work of the students.

    As we continue to spread the magic of VFX, what is fulfilling is that the vibrancy, energy and enthusiasm of the students rubs on to us and inspires us to continue to do what every creative artist aspires ie., to do the “Undone”.

    Women in VFX! Coffees, Conversations & More!

    On Aug 6th, the LA Chapter of the Visual Effects Society held their first-ever Women in VFX coffee talk in Burbank CA. Along with the two esteemed ladies that co-chair the VES LA Section Events Chair, Hetal Jain, Executive VFX Producer at BOT VFX hosted about half a dozen women from varied walks of Visual Effects.

    In attendance were veteran VFX Producer Susan Zwerman, VFX Supervisors, Animators, Look Dev Artists, Pipeline TDs and Nuke compositors.

    We gathered to exchange stories about the challenges faced by women in this industry as well as developing mentorship and supporting and sharing in camaraderie.

    There were floating conversations about challenges in the industry –
    Not enough women in the work place, the mutual feeling of the challenges faced by fellow artisan women while starting every project with having to prove their abilities and talents all over again and interestingly  moving on to talk about the joys of wearing whatever, from sweats and flip-flops to suits and heels to work! The most coolest part of the conversations was about being accepted into the male-dominated world for liking horror, science fiction, anime, and essentially being just as much of a super-fantastic nerd as any of those guys!

    I believe this will be a great forum for women to mentor each other, while supporting and bringing balance to the world of Visual Effects.

    The next ‘Women in VFX’ Coffee Talk is scheduled for Sept 3rd, 2015 to be held at Akasha in Culver City. Get this on your calendar now and BE THERE.


     

    The Nerd Festivities continued with Siggraph 2015 and the VES All Sections Party at the J W Marriott, next to the LA Convention Center, with approximately 150 VES members from across the lands in attendance.  Even though most of Hetal’s time was spent as a volunteer at the check-in desk, She got to meet some of the BOT clients including Refuge, Resistance, Framestore, and our dear Jeff Barnes.

    I also met some very interesting people who are developing amazing experiences in the Virtual Reality space.  There was even a live VR Demo set up with an oculus for people to experience the Rings of Saturn.  Overall a really fun event. Looking forward to the next one in Anaheim. – Hetal